How To Build Suspense and Scare the Audience Essay

The burgeon forth Jaws, directed by St unconstipated Spielberg, was created approximately 30 years ago. It tells the story of a cheat which dishonours and kills numerous people off the northeastern United States coast of the USA in a sm only holiday resort called regard Island. The incurers took place around the 4th of July, which in America, is similar to the British bank holiday. During this measure, m all another(prenominal) Ameri nookies and tourists from abroad visit resorts such as amity Island for a summer vacation. The mental picture director of the celluloid, Steven Spielberg builds up panic of the chisel utilize m any(prenominal) unalike techniques. One of these techniques is the exercising of medicinal drug. Spielberg use ups a non-die set forthic piece of music which plays whenever the cheat is near to flack, some like the chisels very own proposition business. A non-diegetic sound is one which down the stairsstructure only be heard by the aud ition and not by any of the characters in the scud. Spielberg uses this spoticular technique proficient onward the chisel flacks Alex, the immature boy who is swimming on his lilo.This technique makes the interview aid the chisel, as whenever its vie we expect another dismal aggress which adds a down of stress to the occupy. some other technique employ to increase our misgiving of the cheat is presentation the tremendous disparage that it whoremonger cause. For workout, towards the end of the film, whilst Brody, Hooper and Quint ar out at sea attempting to take the chisel, it attacks their boat, resulting in the boat eventually sinking. Spielberg uses this rule to give the audition the impression of the cheats power and to suggest to them that the shark is indestructible, and that it will continue to kill bare dupes. A trio technique with which Spielberg builds hero-worship of the shark is the manner in which he uses photographic tv camera fees to show the sheer abuse on the characters memorial tablets as they go steady the attacks unfolding. For example, when Alex, the young boy is attacked, Spielberg uses a zoom, video display a clam up up of Brodys face which is overwhelmed by repugnance and huge panic. By using this technique, Spielberg really gets the top across, from the characters perspective, of how affright the whole situation really is, which builds even much idolise and strain for the audition.The excerption and use of the music in the film Jaws similarly adds to the overall care and accent roll in the hayd by the interview. For example, the music which is vie honorable in the lead the attack was elect by Spielberg as it brush a nerve be linked with the shark itself the music pioneers piano with a slow tempo as the shark swims around peacefully. and then, as the shark identifies its prey, the music sustains to get both high-velocity and clamorouslyer. thusly it begins to swim faster and keep out in on its victim, and as this happens, the music is gradually get faster and louder. thus the shark bites, and the music explodes. Spielbergs pickax of music adds massively to the overall fear and tautness in the film, because as presently as the music begins vie, the listening k at a times that an attack is imminent, they further sit there hold anxiously. Then, the music explodes, coinciding with the attack, giving the listening a shock. other representation in which Spielberg uses the soundtrack to build tension and fear in the film is with contrasts of emotion.For example, at the break of the film before any of the attacks, a piece of diegetic music is played. This music creates a relaxed atmosphere so when the audition witness the mentality start attack, it follow outms to come from nowhere, catching them by surprise. Another example of this is by and by the origin attack on Chrissie, there is silence, and all that the audience can hear is th e be placid ripple of the waves as they reach the shore. This makes the audience feel that everything is peaceful and calm, when in point theyve entirely witnessed a terrifying shark attack. Another technique to provoke incompatible emotions is that of the music used just after(prenominal) Alex is attacked and killed by the shark. As Alex is attacked, everyone on the set down panics and rushes to get out of the water system. At the selfsame(prenominal) time, a young toddler is blithely playing in the sand and piano singing to himself. Again, as after the premiere attack on Chrissie, the audience cant believe how something so life-threatening is happening when the mood set by the little boy is so calm and untroubled.This use of music and tell apart emotions builds up tension and fear affecting the audience as it makes them feel confused, as they cant understand how things can be so pleasant then of a sudden so devastating. Spielberg also exploits various camera techniqu es to build up fear and question in the film Jaws. For example, during the second attack on Alex, a rush of distinct camera techniques and angles are being used. The start of the conniption is a tracking fortuity, showing Alex coming out of the sea and seance nigh to his mother on the beach. afterwards some persuasion, his mother lets him crap just 10 more minutes in the water. Then a further tracking pecker is used, as we follow Alex up the beach as he goes and gets his lilo. The use of this camera angle, which focuses the audiences up declare on Alex, immediately makes them feel more attached to the character. The next part of the expectation shows Alex running into the sea on his lilo. The camera technique used for this part is a medium jab from a supplant angle, showing him from behind. This camera angle builds up fear as all the audience can happen upon is Alex on his lilo and the complaint sea in front of him with no-one else in sight.This immediately makes t he audience establish that Alex is undefendable and that if something was to go wrong, help was a retentive way away. The expectation then switches to a point of view shot from Brody, the police twitch psyches perspective. During this convulsion, a phallus of the public is talking to Brody, obscuring his and the audiences view of the water. As Brody desperately tries to keep his eye on the water, the audience distinguish a young woman reposeful in the water. Then suddenly, she begins to scream and contest and the audience automatically assumes she is being attacked by the shark, although it turns out that it was just her boyfriend playing around. This camera technique builds up fear as the audience realise that Brody is futile to help if an attack does take place. The next part of the scene involves a multitude of boys running into the water.The camera technique used for this part is a medium shot from a reverse angle. This camera angle shows the boys all alone in the sea, qualification the audience realise that they are, like Alex, vulnerable. It also makes us fear for their safety as the audience give just witnessed a false alarm with the young woman, and the say-so of a real attack happening is fresh in our minds. Suddenly the shot changes once more to a point of view from the sharks perspective. This shot shows the boys legs dangling under the water as substantially as Alexs lilo on the shape up. Spielbergs quality of camera technique for this particular part builds up a lot of tension as the audience knows that an attack is coming, and that its almost as if we are just waiting for which boy the shark wants as its prey. Also adding to the tension in this scene is the fact that although the audience know about an attack being imminent, the eventual victim Alex doesnt. This keeps them on the edge of their seats as they are left almost shouting at the television screen for Alex to get out of the water The attack the audience suspect is t hen confirmed as the sharks non-diegetic theme tune begins playing and as this happens, the audience verify the shark resolve in on its chosen victim.Immediately, the camera changes to a languish shot. In the blank space, the audience turn back the shark grab hold of Alex and hurl him into the air. As this happens, blood begins to spray from his body as he struggles desperately. Spielbergs choice of camera for this scene makes the audience palld, as they see the whole attack unfolding, as well as for the number 1 time, getting a look at the shark itself and discovering how long and vicious it really is. Instantly, the camera changes again, this time to a technique called a secretive up. The shot shows Alex under the water, desperately exhausting to free himself from the sharks jaws before suddenly he disappears in a thick cloud of his own blood. This scares the audience purely because of how gruesome it is. Once again, the camera angle changes to a medium shot, showing Ale xs mangled lilo calmly lick up shore in the just about bloody water. The way in which the camera shows the lilo gently drift up shore, makes the audience feel sorry and upset for Alex, as they feel they dumbfound made a connection with him in earlier separate of the film.The audience also have contrasting emotions, as they wonder how something so gruesome and devastating could have just happened when seconds later(prenominal) everything was so calm and peaceful. Spielberg also tries to scare the audience by creating a lot of tension in the overall eyepatch and particularly in the endpoint of the film. For example, he tries to create fear and incredulity in the film by showing the first two attacks on both Chrissie and Alex close together at the start of the film. By situating them at the beginning of the film, the audience apace realise that the first attack wasnt a one off, and that the shark is almost like a serial killer. Another example of this technique of building tens ion and fear affecting the audience is the way in which Spielberg decides to add the third attack mid-way through the film, on the 4th of July with police chief Brodys word of honor involved. By showing the third attack mid-way through the film, the audience feel as if they have got to know the main character, police chief Brody. So when the audience see the shark closing in on his son Mikey, they care more for his safety as they feel as if they have a connection with the family.By situating the third attack on the 4th of July, the audience see thousands of people flocking the beach at Amity Island, after Brody had desperately attempted to degree them from visiting because of the potential danger in the water. So when the third attack happens the audience are scared and shocked, as they realise that if only the Mayor hadnt been so greedy for money and had Brody got his way, a third attack wouldnt have occurred and Brodys own son wouldnt have been in danger. The work section of th e film is really when Spielberg creates a lot of fear and suspense affecting the audience. One example in which Spielberg creates fear and tension in the film is when the shark attacks the boat whilst the one-third men, Brody, Hooper and Quint are out at sea. The scene involves the camera using a zoom technique and showing a close up of the wooden take away of the ship. As the shark attacks the boat, it endlessly pounds its head into the side of the ship and the audience can hear the wood beginning to squawk under the strain as they ingest it flex and bend.This scene builds a lot of tension because the audience bet that any second the shark is going to force a gaping hole in the side of the boat causing it to sink, which as a result would endanger the lives of the triple men, who over the course of the film, the audience have bonded to. Another area of the film ending which contained a lot of fear and suspense was when after the damage to the boat had been repaired, Hooper, th e shark expert, went down in the cage in an attempt to tranquillise the shark. During this scene of Hooper in the cage, the shark comes into view from nowhere and repeatedly crashes into the cage before eventually getting into it. This part of the film is full of tension because after every time the shark crashes into the cage, the more the metal frame begins to crumble.Then the audience see the shark close up, which scares them as they can see for themselves how untrained it really is. Immediately after, the audience see a shot of Hooper as he comes face to face with the shark for the first time, and his expression is ridden with horror. This reaction of his reflects on the audience as they then realise what it would feel like if they were within touching distance of the man-eating beast. But in my opinion, one of the scenes at the end of film has far more tension and fear than any of the others. This is the scene where Brody is alone in the sea after Quint has been eaten by the s hark, and Hooper is under the water trying to hide from it. Brody is leaning on the mast of the sinking ship with a cash in ones chips in his hand when we see the shark gradually closing in on him.Brody shoots at the shark, but it continues to head uninterrupted for him, so he fires the gun again. naught happens, and by now the shark is just 10 metres away and Brody is down to his last bullet. He aims and fires, directly hitting the oxygen cylinder in the sharks mouth. The tank explodes, blowing the shark into pieces. This part of the film is full of tension in the way that the shark is relentless and keeps gradually getting ever closer to Brody, who by now the audience feel connected to, and they begin to fear for his life. Also, the way in which Brody kills the shark with his last bullet keeps the audience on the edge of their seats. This scene is scary because of how improbably gory the sharks finale is. The audience see the shark pursy up into shredded chunks of flesh as blood spurts everywhere. My scariest moment in the film is the death of Quint, the shark catcher. I think its full of the most fear because of how gruesome, gory and full of tension it is.The scene is full of suspense when Quint loses his wait on Brody, and agonisingly slides down the deck of the boat, clean into the jaws of the shark. Then it gets gruesome, because as the shark plunges its teeth into Quints chest, blood begins spewing from his mouth. Then the shark begins violently tossing him from side to side as Quint screams desperately before the audience here a loud crack. Immediately his body stops seek and the shark calmly drags it under the surface of the water. Overall, in my opinion Steven Spielberg has successfully created a film in which the audience experience a lot of fear and suspense. He has effectively used many different techniques to do so, and as a result, more than 30 years on, Jaws is still appreciate as one of the best horror films ever made.